I can’t believe 2015 is almost over. This time last year I was working hard on my first embroidery designs, and I’ve learned so much since then. Thank you to everyone who cheered me on, tested designs, and bought the final product. I couldn’t do it without you! I tackled quite a few things this
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I’m working on the 18th c. fichu from the Met this weekend, designing a corner (or maybe two) and some engageantes to match the border and tapered end I created in August. This involves a bit of guesswork, since there is only one view of the fichu on the museum’s website, and no information about
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NEW! Historical Hand Embroidery Patterns The second most frequently asked question* this year has been, “do you sell historical hand embroidery patterns?” Finally, I can say YES! Romantic Recollections now offers historical hand embroidery patterns, machine embroidery designs, and custom orders. I’ve been busy these past few weeks, crafting the new PDF format so that the historical hand embroidery
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Have you ever run across sewing notions that used to exist, but seem to have completely vanished? I recently ran into this problem when I went looking for some white linen tape to bind an 18th c. pocket. Over the last few years I have fallen in love with 18th century clothing. I started out
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Have you ever used a heat away stabilizer? I barely knew they existed when I wrote my previous stabilizer post, so I put it on my list of things to try out. To be honest, I find stabilizer choices to be overwhelming. Cut away, tear away, wash away, tear AND wash, sticky backed or not – oh, wait, what’s the
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I have to admit right up front, my journals and my hand embroidery projects share many similarities. I love picking out notebooks, I get excited and diligently write something every day, and then.. well.. it gets added to the pile of journals that only have about 10 pages filled out. And even though I know I have
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Earlier this summer I received an inquiry about making a Regency bonnet veil, which was exciting because I hadn’t considered that application for my embroidery designs. The inspiration example showed a length of wide antique lace, very delicate and flowing. Of course, embroidery and lace are different, but good lace in wide widths can be difficult
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I make samples of all my products before I put them up for sale, because I want you to see real examples, not just a rendered drawing of what it might look like. For something like a border, I simply stitch out enough repeats to give a good impression of how it would look on a gown.
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I look forward to Costume College every year, because not only do I learn a ton from other talented costumers, I get to reconnect with friends from around the world. Previous years have planted the seeds for some of the collaborations that blossomed this year, and I value the connections I’ve made with other female business
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The 1910 Camisole with Bows is almost ready for release! As I was working through a sample based on the Wearing History 1910’s Camisole or Corset Cover, I found one tricky bit that’s easier explained in pictures, so I wanted to put together a camisole eyelet tutorial for you. This is a great technique for any
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