The 1910 Camisole with Bows is almost ready for release! As I was working through a sample based on the Wearing History 1910’s Camisole or Corset Cover, I found one tricky bit that’s easier explained in pictures, so I wanted to put together a camisole eyelet tutorial for you. This is a great technique for any
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I’ve met so many wonderful people in the costuming community over the years, and this spring and summer I’ve been lucky enough for several of those connections to turn into collaborations. Since one has already launched and another is very close, it’s high time I told you a little more about them. After a trip
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It’s been a bit quiet around the blog lately, since I haven’t had any time to sew in the last few weeks. I’ve been itching to do more work on both personal projects and the linen waistcoat, but it’s had to wait. I’ve taken a couple weeks off to focus on life – packing, painting, moving,
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If you are a Facebook or Instagram follower, I’ve been teasing you lately with progress photos for the striped linen waistcoat I am recreating. Just to have it all in once place, I figured it was time for a progress update on the blog, too. The inspiration for this project is this pink striped linen waistcoat embroidered with roses
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Lauren at Wearing History posted a very honest and inspiring piece last week about how people often only show the shiniest, happiest parts of our lives on social media, and how you never really know what is going on behind the pretty pictures. This blog is full of moments that look good on the surface, but it’s also rather empty for
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Costume College always seems to sneak up on me, no matter how much I plan. The reality is that I let business and life come before sewing for myself, and then try to make up the time in July, which really doesn’t work out so well. This year isn’t going to be any easier, since
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I recently stumbled across mention of an exhibit at the Bavarian National Museum titled “Mode aus dem Rahmen,” or Fashion from the Frame, focusing on “precious embroidered clothing of the late 18th century.” Naturally, I wanted to learn more – and see some pictures! I did find the museum website, as well as a blog post
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Remember the 18th century button I’ve been working on? After a bit more tweaking, I’m finally happy with how it is looking. What do you think? This 18th century button is embroidered with silk thread on creamy silk satin, then wrapped around a wooden button mould from Burnley and Trowbridge. The finished button is only
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There is so much going on in the studio right now, but I don’t feel like I have very much to show for it. Here are a few of the things keeping me busy. For one, I’m working through a massive studio de-stashing. I’m moving this summer into a smaller space, and I’m finally admitting I’m
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One of the first questions I have when starting a design is what is the best way to get it to match up as flawlessly and as easily as possible. Some are pretty straightforward, while others take creativity. I also hear a lot of comments that people are nervous about matching embroidery borders correctly, so I
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