Denise Hendrick

Posts by Denise Hendrick

Ongoing Projects – April 2015

There is so much going on in the studio right now, but I don’t feel like I have very much to show for it. Here are a few of the things keeping me busy. For one, I’m working through a massive studio de-stashing.  I’m moving this summer into a smaller space, and I’m finally admitting I’m
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Matching Embroidery Borders, and more

One of the first questions I have when starting a design is what is the best way to get it to match up as flawlessly and as easily as possible. Some are pretty straightforward, while others take creativity.  I also hear a lot of comments that people are nervous about matching embroidery borders correctly, so I
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1823 Eyelet Border

When browsing through possible design ideas, this border from the June 1823 edition of Ackermann’s Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics caught my eye because it is reminiscent of many of the scalloped borders I keep pinning to Pinterest for inspiration. For example, this hem of this gown from the Kent State Museum
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Moving day!

I’ve been hard at work this week making updates to the business website, and I’m excited to give you all a tour! First up, I have updated the Home page and overall look of the website, making it cleaner and simpler for both me and you. The business has made some major changes this year, and
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18th c. Embroidered Waistcoats

Without question, what most people ask me for are 18th c. embroidered waistcoats. It makes sense, since that was the first truly ambitious embroidery project I tackled, and to this day, it’s still my favorite. Last year I made a second version of the same waistcoat, this time in much more muted grey tones on white linen, to match
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June 1826 Muslin Pattern

Here’s a sneak peak at an embroidery design that is almost ready to be released. It’s a c. 1826 muslin pattern from the June edition of Ackermann’s Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics. The original 1826 muslin pattern included one corner and a partial border. The edge is comprised of delicate scallops and
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18th century embroidered pocket, and more

A year ago, I was thinking about how I wanted to launch my range of embroidery designs. I wanted to create designs for an embroidered pocket or fichu. However, I felt it wasn’t enough just to create a period design and put it out on the internet. I also wanted to create beautiful samples that would get
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Cutwork borders – a tutorial and a freebie!

One of the features in my first few designs is the option to make cutwork borders as part of the embroidery process, creating a neatly finished edge like you find in hand sewn and manufactured goods. Since this may not be familiar to many of you, I wanted to post a quick tutorial as well as a freebie
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Overview of Machine Embroidery Stabilizers

One of the topics that confused me most when I started machine embroidery was what stabilizer to use and when. There are so many machine embroidery stabilizers to pick from, and many can be downright expensive. The sewing machine shops were quick to recommend cut away and tear away stabilizers for almost everything. They are generally only thinking
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Historical Machine Embroidery: why I started an embroidery collection

Creating historical machine embroidery designs is dear to my heart, so I wanted to share a little about what started me down this path. The Idea: I first saw an embroidery machine and went “oooh!! I want that!!” about 15 years ago.  It seemed like the perfect way to add some detail to the historical costumes
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